Nature & Creation

The Monsoon Paradox: Destruction as Creation

6 min read June 2026 Nature & Creation
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As a curtain of monsoon lifts in India, greenery thrives and a romantic atmosphere sits right across your cup of tea as you watch out the window from your plush sofa. However, even the slightest excess of rain can devastate communities that have lived in one place for generations, affecting people, flora, and fauna alike. In doing so, it creates a simple binary in our minds: rain that nurtures and rain that destroys. Yet, on closer analysis, it leaves a lot to reconsider.

"Immense Rains Ravage Panaji's Coastal Settlements, Lives, and Wildlife; Mount St. Helens Eruption Leaves Vast Forests, Wildlife, and Ecosystems Devastated." For a simple reader, a set perspective takes shape. There's a kind of rain which can be enjoyed and truly emancipates the soul whereas the other more raw, unrestrained version of it is to be kept away from. But one must ponder—Is it nature that's in our way or us in the way of nature? After the wild, heavy showers in Panaji subsided, it saw the rejuvenation and revival of its mangroves which had grown black and lifeless following urbanisation and construction, establishing a booming market for the coastal industry as well. What was formerly seen as chaos and disruption was indeed nature's version of a 'slap on the wrist' and a corrective measure all at once. Along the same lines, the eruption of Mt. St. Helens led to the birth of a species of flora oftentimes called a "pioneer species", an organism that prepares for future life. The sapping of the forestry around the volcano gave way to an even lusher green cover and ecosystem by way of ecological succession. Artistically, the image is striking—a field of purple flowers emerging from gray volcanic ash. It embodies the idea that renewal is not a return to what existed before, but the emergence of something new from devastation.

The Great Wave off Kanagawa — Hokusai
'The Great Wave off Kanagave' represents not just destruction but impending renewal.

Perhaps the deeper significance of rain lies beyond its immediate consequences. It serves as a reminder that creation and destruction are rarely separate processes. Chaos is an inherent part of all our lives, not a foreign phenomenon. And just like the forest or wildlife's turbulent, love-hate relationship with rain; we all have our rendezvous with chaos which makes us learn equally, if not more, from times of peace and love. Doing art or therapy is essentially all about embracing the chaos we harbour internally and psychologically, by way of which, we derive peace. A while ago, I met an artist showcasing her collection at an art gallery and upon speaking to her, gathered that her art - forms of abstract, portrait and landscapes emerged out of her own complicated feelings towards her family and travels. For her, art was a means of depicting chaos as well as imbuing it in the minds of the gazers to feel what she feels, and ponder over the complexity of what lies underneath the surface; Similar is the motive underlying Van Gogh's or Munch's work as well. Monsoon, in a very similar manner, does a great job at representing beauty in its unpredictability, just like life.

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Art Exhibition by Aashima Mehrotra at IHC, New Delhi
Art Exhibition at IHC, New Delhi

Art Exhibition by Aashima Mehrotra at IHC, New Delhi.

"Life is not about waiting for the storm to pass, but learning to dance in the rain."

Very often, it is the people who've seen harsh weathers, battled stormy rain beating down their face and strong winds holding them back who thrive more than those who've witnessed it all go down from the comforts of their warm home—metaphorically and literally. Much like how the generations that came of age during the pandemic learned to adapt, improvise, and carry on amid uncertainty, adversity has a way of becoming life's greatest teacher. Chaos may not pass the vibe check in the moment, but it often leaves behind resilience, perspective, and growth. I'm sure we can unpack a lot from the perseverance nature shows us after heavy showers, massive eruptions and storms or fires and yet bounces back stronger each time or leads to improvement where there was scope for none, like in the case of the Mangroves in Panaji.

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So maybe Monsoon is not just about aesthetics or a good story or vibe. Maybe instead of watching it from afar, we should let it drop down our backs and strip away our fears and hesitation, to not just appreciate it but to experience it. It's a bit of a struggle but it's worth being that first purple flower borne out of gray volcanic ash.

Persephone Playlist · Spotify
Romanticising Monsoon
A special soundrack for this edition
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About the Writer
Portrait of Ashmita

Ashmita

EDITORIAL INTERN, Pouls.of.art

Ashmita Karan is an Editorial intern at Pouls of Art. She is a second year English Literature student at Hindu College. She loves diving into horror stories or controversy, reading up on recent politics and putting her thoughts into words. If she's gone quiet, chances are she's either chasing a rabbit hole on the internet or convincing herself that one more video essay won't hurt.

Persephone by Pouls.of.art June 2026 · Art, Literature, History & Culture

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